Multi-track timeline
Mixed frame rates, resolutions and codecs without forced conversion. Nested sequences, markers and precise trimming are built in.
The suite
Professional tools.
A clear workflow.
From first cut to final export — timeline, colour, effects, audio and delivery in one focused application.
AI on the timeline
Auto captions, transcript editing, voiceover, dubbing, silence removal and background isolation. The tools sit on the same timeline as the grade.
Vertical delivery
Native 9:16, 1:1 and 4:5 for TikTok, Reels and Shorts, with safe zones, templates and auto reframe. Free exports at 1080p.
Colour & HDR
Primary and secondary grading, scopes, LUTs and HDR workflows so the image is intentional — not auto-corrected.
Effects & titles
Real-time effects, considered transitions, customisable titles, and an optional advanced pack when the sequence needs more range.
Audio tools
Multi-track sound, mixing, native FX and professional formats — still on the same timeline as the picture.
Cloud & media
Dropbox, Drive, OneDrive, pCloud and more. Browse and import without leaving the bin. Optional stock libraries sit beside your own media.
Export & delivery
YouTube, TikTok, Reels, Shorts, broadcast or cinema. Free delivers 1080p, including vertical. 4K on Creator. 5K–8K, ProRes, DNxHR, H.265 and AV1 on Pro.
Timeline that keeps up
- Mixed sizes, rates and codecs stay in sync without conversion.
- Background processing handles renders while you keep cutting.
- Start with drag-and-drop; open frame-accurate tools when needed.
- Smart proxies for playback; full-quality source at delivery.
Sound that completes the frame
- Trim, split and layer with precision. Clean dialogue without friction.
- Shape tone with built-in effects — space, character, quiet polish.
- Balance dialogue, music and effects so the mix supports the picture.
- Sync tools and visual feedback from rough cut to final mix.
Effects with purpose
- Titles, lower thirds and motion graphics you can match to a brand.
- Transitions that respect pacing, from a clean cut to a dynamic move.
- Simple adjustments first; layered composites when the job asks.
- Editing and effects share the same workspace.
Colour that carries intent
- Balance and match shots so a sequence feels like one piece.
- LUTs or a grade you build yourself — correction to look, no extra step.
- Isolate colours or regions when the story needs emphasis.
- The same tools scale from learning to delivery.
Need the technical breakdown?